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Exorcise Me
Exorcise Me
Exorcise Me

Exorcise Me

Nil
Color
Sound
16:9
Single-channel Video
production year /
2013
duration /
03'13

Exorcize Me is a photography, videography and live performance project addressing coming-of-age anxiety, teenage alienation and the confusing phrase between childhood & adulthood. The title, Exorcize Me speaks about the unease within one’s own skin and the yearning to get rid of new-fangled fears and unfamiliar emotions.

The project entail a class of schoolgirls in their school uniforms with skull makeup painted on their faces. These schoolgirls pose in the tradition of Balthus’ paintings of girls—Balthus’ girls appear as languid, coquettish & self-absorbed figures that are immersed inside their interior worlds within a familiar setting. Exorcize Me schoolgirls dawdle in school gym & classrooms in similar languid, coquettish & self- absorbed manner.

The goth makeup, baby language, school setting and uniforms are juxtapositions of reality and fiction, interior work brought out to the exterior. Exorcize Me also speaks about existential anxiety, which began in adolescence and persists through adulthood.

about the artist /

Sookoon Ang is an artist working across various mediums, whose practice navigates the intangible spaces between the physical and metaphysical realms. Rooted in the philosophy of impermanence, her practice reflects an ongoing dialogue between existential inquiry and material experimentation. Through poetic combinations of seemingly contradictory elements, she creates works that evoke a subtle tension, inviting viewers to question their own perceptions of reality. Ang’s nuanced approach transforms everyday objects and imagery into contemplative, often dreamlike explorations of psychological and emotional landscapes.

Her installations, sculptures, and moving images have been exhibited in major international institutions, including the Palais de Tokyo, M+ Museum in Hong Kong, and the Singapore Biennale, offering audiences a space to engage with the transient nature of existence. Ang’s work blurs the boundaries between fact and fiction, reality and fantasy, crafting immersive visual experiences that feel suspended between worlds. Her focus on flux, temporality, and the instability of identity is informed by her cross-cultural perspective and the ongoing navigation of displacement and belonging, stemming from a migratory background.

A recipient of prestigious fellowships such as the Freeman Fellowship and Asia-Pacific Fellowship, Ang has undertaken residencies at renowned institutions like the Rijksakademie, Kunstlerhaus Bethanien and ISCP. Her films and video works have been screened at significant platforms, including the International Film Festival Rotterdam, Oberhausen International Short Film Festival, and Festival of Films on Art, Montreal. With a practice that embraces the inherent unpredictability of process and the fluidity of material transformation, Sookoon Ang continues to challenge the conventions of artistic expression, creating work that is as intellectually rigorous as it is emotionally resonant.

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