Dr. Anson Hoi-shan MAK is a moving image and sound artist. Besides single channel film/video, she also does phonography sound art and web-based projects. She is especially interested in experimental ethnography, essay film and super 8 film, as well as lens-based inter-media works. Her film/video works have been shown at various festivals, including the Yamagata International Documentary Film Festival, Busan Film Festival, Hong Kong International Film Festival, Internationale Kurzfilmtage Oberhausen, Vancouver International Film Festival, Taipei Golden Horse Film Festival, , Los Angeles Asian Pacific Film Festival, etc. Her works have also been featured at galleries such as M+, Taipei MOCA, Times Art Center Berlin，FACT Liverpool, Whitechapel Gallery London, CAFA Art Museum Beijing, CornerHouse Manchester, Crossing Art New York, White Box New York, RockBund Art Museum Shanghai, AFIAS Spain Moving Images Festival, Madrid etc

NG Yin-chun Fion was born in Hong Kong. She is a cultural event organizer, critic and part-time teacher. She has curated a variety of programmes for overseas festivals and art institutions including the Microwave International Media Art Festival (Hong Kong), “Oil Fiction” and “Imagetripping” for the 5th Festiva (Lima, Peru, 2000), “Sick and Dizzy” for Media Art Asia Pacific (Brisbane, Australia, 2000), Foreign Matter program, Antimatter Underground Film Festival (Victoria, Canada, 2005). Her videos have been selected or commissioned by various international art festivals and exhibitions such as Hong Kong Arts Festival, European Media Art Festival, Multimedia Art Asia Pacific and Asia-Pacific Triennial of Contemporary Art in Brisbane, “Asianvibe. Arte Contemporaneo Asiatico” at I’Espai d’ Art Contemporani de Castello in Castello, etc. She holds a MFA major in media design and technology from School of Creative Media, City University of Hong Kong. Recently, she is appointed to research on the development of new media art in Hong Kong for Hong Kong Arts Development Council. She is also the education and promotion officer of Hong Kong Film Critics Society.

Sikay Tang was born in Hong Kong and grew up in New York. She now lives in New York and Antwerp and is a typical migrant. In her photographs and video-works she mixes her own background and traditions.After having studied studied photography and sculpture at the University of Chicago and fine arts at the Jan van Eyck Akademie in Holland, Sikay turned to film and television.

Sikay is an acclaimed editor. Highlights of her editing credits include award winning documentaries The Good Soldier (Emmy Award 2009), Beijing Taxi and Chisholm ‘72– Unbought and Unbossed (Peabody Award 2005). Her work in television includes being an editor with Bill Moyers on his weekly show, Moyers & Company, distributed by American Public Television. Previously, she produced and edited for ABC News.

She has taught classes at Temple University in in Pennsylvania and Third World Newsreel in New York.

Currently she is directing a documentary entitled Toby’s Paradise. It charts the life and the global journey of a Nigerian migrant, sailor and entrepreneur Toby Ebiember. After World War II he opened bars first in Shanghai, then Hong Kong and Singapore. He would be one of the first Africans to own a business in Shanghai and the last “Western” bar to close in China in 1956.

Connie LAM is manager of Media Centre of Hong Kong Arts Centre.